Showing posts with label couture technique. Show all posts
Showing posts with label couture technique. Show all posts

Thursday, January 15, 2015

Rhonda and Susan's Workshop - Chicago November, 2014



Susan Khalje teamed up with Rhonda Buss for a mini workshop in Chicago.  How cool is that?  I had the pleasure of being one of the fortunate souls (sewists) who attended the sold out workshop last November. The group gathered at Soutache on the North side of Chicago for a full day of learning from master designers/couturiers.




Susan and Rhonda taught several couture, design, and fitting techniques. The day begin with Susan teaching the participants how to sew a couture skirt using fine guipure lace. The construction process is slow and the lace is meticulously shaped as one continuous piece. Her lessons also included tips and techniques on the construction of a beautifully sewn brocade dress that included underlining, inter-support system, and hand picked zipper. Susan gave us step by step instructions on the hand picked zipper process. In that lesson, I discovered I had missed a very important part of the process. Where the two sides meet, center of the zipper, there should be a slight hump when the zipper is closed. When the garment is worn and forms to the shape of the body, there will be no zipper exposure. This simple step in the process makes a world of difference in the finishing of a hand picked zipper.





By lunch time the students were all smiles and very pleased with what they had learned thus far. During break everyone was sharing sewing experiences and asking questions. Each person bought their own lunch, though a few kind ladies bought salad and desserts to share with everyone. Mily, the owner of Soutache, was on hand. The shop was open to the students to make purchases during the workshop. I think the location for the workshop was excellent. It provided adequate space to accommodate about twenty students. No one felt crowded or uncomfortable.


The second half of the day, Rhonda taught a mini course on pattern drafting, which included lessons about sleeve design and several illustrations on rectangle and square garment designs. She brought several of her designs as well and shared the construction process of those garments. Rhonda's teachings also included segments on the difference between petersham and grosgrain ribbons and demonstrated how petersham can be used as a facing on a skirt. She also taught the group how to properly sew on hooks and to use a thread bar instead of the metal eye.





The final segment of the workshop was devoted to fitting participants' muslins. We were invited to bring patterns and muslins. We came prepared. Each person was fitted and explanations of the adjustments were discussed and shared among the group. The last half hour was spent purchasing designer trimmings and notions bought by Susan.




This was an excellent workshop. By the end of the day, I wished for more. The room was buzzing with excitement. Everyone seemed enthusiastic about the possibility of using some of the techniques learned at the workshop. I'm putting in a bid to have more workshops like this, and I feel so very fortunate to be a part of the Haute Couture Club of Chicago. This is where I first met the fabulous Rhonda Buss.  Susan Khalje was a presenter at a club meeting about two years ago. It was my first time hearing her speak. Both ladies are experts in the field of couture sewing and are excellent teachers. I can't wait for the next workshop.


Be inspired! Books are good, but a fine teacher is superb!


Happy Sewing,
Cennetta

Friday, March 2, 2012

M6433 + V8555 = New Dress, New Design



Warning this post is lengthy with several pictures.
Another striped garment.

It's been over a week since I finished the dress. Before I forget the construction progress, I want to give my review on how I made this dress.

September, 2011 was the first time I tried making a dress from McCall's 6433. I really like the design of the bodice and wanted to give it another try, but with a different skirt. Something different from my usual skirt waist dress. I decided to use the pleated skirt of Vogue 8555. There is nothing new about me mixing and matching pattern pieces. It's been a practice of mine for majority of my sewing years. Right now, I lack the skill to draft my own; but why draft if you have something that works in the pattern collection. And boy, do I have plenty in the pattern collection.

Since there were no major fitting issue, (I worked them out before making the first version) I decided to use at least one couture technique and add a unique belt to finish the look of the dress. Let's begin with the pattern descriptions:

McCall 6433 - Misses' dress in three lengths - fitted, lined bodice, front and back darts, stitched shoulder pleats, back zipper, and self lined cap sleeve. A,B: A-line skirt, stitched pleats: C: Straight skirt, back slit. Optional purchased belt. I used the bodice of View B with some modifications;
and,
Vogue 8555 -Misses' dresses A through F have lined bodice, front pleats, front gathers, back darts, self-faced midriff, back zipper and skirt variation. A - C lined slim skirt in two lengths with front and back darts, back slit, D-F; skirt in two lengths with front and back pleats, pleat underlay and side seam pockets. A; D gathered sleeves with sleeve bands, B; F purchased belt. A, B, D, & E mid-knee length, C; F; below mid-calf length. I used the pleated skirt.



Sizing - McCall 4 - 18 and Vogue 8 -22.

I created a new dress using these patterns. For the most part, I followed the construction process for each part. The changes made were related to design preferences. No problems in the instructions. Pretty typical, standard.

After making the McCall's dress I knew I would make the top again. The bodice has a likable vintage look to it, and the neckline is not commonly seen in recent patterns.  I really appreciate having fitting lines and instructions in the pattern. It helps build my fitting skills.

The skirt is great because it has fullness at the hem but waist pleat bring it closer to the body.  Because I am top heavy, the skirt design and the drape of the fabric helps make this dress more figure flattering.

I have no dislikes about either pattern.

I bought the fabric at Vogue Fabric on Roosevelt last summer. It is made of assorted fibers, for sure some polyester and maybe some rayon. It has a lovely draft and smooth hand. Love it.

Although I spliced two pattern together, I still had multiple alterations and design changes. I made my usual fit adjustments: FBA, prominent shoulder blades, swayback adjustments, and lengthened the skirt a bit. Also the sleeves were a little snug; so I cut them a tad larger than size 14. Lastly I raised the vamp about a inch, still not enough. Lol

I made a few design changes. The sleeve cap has a lot of ease in it. So instead of removing the excess ease I added more; then gathered the sleeve cap. I'm really liking the process of hand-picking a zipper. This was the third time I've done it. It adds a custom touch to the dress. Finally, because I have very little waist-definition, I added a belt, which I will review next.






I think this is the last time I will use these patterns. Remember I said "I think". You never know. Lol If these are your style of dress, I do recommend them both. They are easy to sew and produce a fashionable dress.

You won't be disappointed with the results.  Just make sure you make appropriate fitting adjustments.



Now the belt.

I love this belt. It's a pattern from "Making Vintage Accessories," a book My DD gifted me for Christmas. If you like vintage, you will like this book. It has some interesting, unique accessories.   Ok.. Ok.. this is not the book review. Back to making the belt.

The book comes with instructions and patterns included. You have to enlarge the patterns 200% to get the appropriate size.  There is a line on the belt pattern that allows you to make adjustments based on your waist size. Caution, don't add length to the end of the belt. The curve will be misplaced and the ends won't overlap evenly.

I'd plan to photograph the making of the belt, but forget to do so. Sorry. Maybe next time. I'll try to account for my process in words.

1. Enlarging the pattern. It was Saturday evening and I wasn't about to go Kinkos to make copies. So I did this to enlarge the belt pattern. It's crude, but it worked.

2. Pin and cut fabric (2) for the belt. Cut hair canvas fusible interfacing (2), removing the seam allowance for easy sewing. Cut leather for the applique.

3. Apply interfacing, pressed belt pieces turning under seam allowances.

4. Sew belt pieces together. Press

5. Place the leather pieces on top of the center section of the belt, largest first. Then hand stitched the leather pieces to the belt.

6. I didn't have a vintage button. So I added a swarovski crystal to the center to complete it.

NOTE - I didn't read the instructions.  I just made it based on what felt right to me.

I will certainly make this belt again.

All pictures here.

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